Netflix demystifies the data (a little)

At the Code Conference, Netflix CEO Ted Sarandos shared two lists revealing which films and shows were the most popular on the service in their first month of release.

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Netflix demystifies the data (a little)

 

The Future. At the Code Conference, Netflix CEO Ted Sarandos shared two lists revealing which films and shows were the most popular on the service in their first month of release. The two lists, however, may create a competing narrative of what titles are the most hyped versus what titles audiences actually finished. Either way, as the creative community tries to figure out how to get paid on the backend on streaming projects, the metric that matters most may be a key deciding factor.

Digit duel
Netflix is trying on some transparency.

First up, the top five titles that were the most popular by unique accounts that watched at least two minutes:

  • Films: Extraction, Bird Box, Spenser Confidential, 6 Underground, and Murder Mystery.
  • Shows: Bridgerton, Lupin (Part 1), The Witcher (S1), Sex/Life, Stranger Things 3.

Second, the top five titles that were the most popular by time spent watching:

  • Films: Bird Box, Extraction, The Irishman, The Kissing Booth 2, and 6 Underground.
  • Shows: Bridgerton, Money Heist (Part 4), Stranger Things 3, The Witcher (S1), and 13 Reasons Why (S2).

You can see the number of accounts/how many hours watched, and the full top-ten list in each category here.

Stay engaged

The data teases at some valuable insights:

  • A lot of people starting a movie doesn’t necessarily mean they finish it.
  • A show can be discovered by its audience after a month has passed, leading to very popular subsequent seasons.
  • Netflix Originals are far more popular than licensed shows (within the first month of appearing on the service).

But since these lists only account for the first 28 days of release, Netflix may be signaling that what matters most on the platform is what drives immediate engagement… instead of touting titles that take their time to find a passionate audience.

David Vendrell

Born and raised a stone’s-throw away from the Everglades, David left the Florida swamp for the California desert. Over-caffeinated, he stares at his computer too long either writing the TFP newsletter or screenplays. He is repped by Anonymous Content.

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